see, this is the problem with syntax

Here I am, desperately scouring as many textbooks as I can lay my hands on, for tomorrow’s Sentence Processing lecture.

My eye falls on this sentence:

The fireman told the man that he had risked his life for to install a smoke detector.

And I scan the surrounding text for something to do with the “for to V” construction. Maybe the exposition is of the effect of nonstandard syntax on reading times? But that’s got nothing to do with it. It’s a garden path sentence, so you’re not even meant to be able to entertain the “for to V” option, because it’s meant to be an ungrammatical sequence making you reanalyse ([The fireman told [the man that he had risked his life for] to install a smoke detector]).

So, I have reanalysed. But since [The fireman told the man [that [he had risked his life for to install a smoke detector]]] is not “ungrammatical”, the sentence is only ambiguous, not a true garden path. I think.

And this is why phonology is so much better.

 

Advertisements

speaker as hearer

[Language post]

I’ve been impressed by the boldness of Fernández and Smith Cairns in devoting a chapter to “The Speaker” ahead of the chapter on “The Hearer” in their textbook Fundamentals of Psycholinguistics.

It’s one of the great fundamentals that there isn’t really a good model of how speech production works from a psycholinguistic perspective. The best established and most influential models of speech production certainly deal with linguistic units such as syllables or phonemes, but they don’t go any closer to articulation than that. These units serve as the input to whatever motor processes generate speech movements, but the motor processes themselves are generally treated as quite separate, if not trivial. (Fernández and Smith Cairns’s diagram of speech production has “articulatory system” well outside the box of interesting processes in their diagram at the start of the chapter.) The ‘perception’ side is generally much better understood than the ‘production’ side of things, so tackling production ahead of perception/comprehension is an interesting step.

But more striking – there’s a whole section of the Speaker chapter devoted to Producing Speech After It Is Planned. So might this be a place to find new insights linking mentally represented symbols to articulation? even tentatively, as befitting an introductory text?

Well, no – the section is acoustic, not articulatory. Shame! There’s a head diagram with the articulators labelled, but the diagrams are waveforms and spectrograms, not x-ray pellet tracings or EPG outputs. Not even so much as a diagram of a mass on a spring to help the reader feel warm and fuzzy.

It’s a perfectly fine section on the acoustic properties of consonants and vowels, I should add, but it does make you wonder what they’re going to talk about in the “Hearer” chapter now that all this talk of sine waves and formant transitions is out of the way.

looking back

“Few researchers feel that they have direct access to all of the truth that is worth seeking. Naturally, one looks to one’s contemporaries for help, but unless we hold with particular rigidity to the view that historical development is a matter of monotonically nondecreasing progress, with the present always ipso facto more enlightened than the past, there is no reason not to treat our intellectual ancestors with similar respect.”

SR Anderson (1985), Phonology in the Twentieth Century: Theories of Rules and Theories of Representations. University of Chicago Press. (p3)

parodies

English can allow the word-initial sequence ʃr. English can allow word-final sequences like -lfths. English words can be multisyllabic without being morphologically complex. English prose sentences can conform to highly regular rhythmic patterns.

shred /ʃrɛd/
twelfths /twɛlfθs/
military territory

Three cream scones please – Kate Snow will share Paul’s.
Thirty happy laddies whistled loudly all the way to Portmahomack.
Innocent mineral magazines reappeared yesterday.
Don’t you want a fundamental macaroni explanation?

But these are all rarities – these phonotactic sequences, this morpho/phonological fact, the extended consistency of these rhythmical patterns – they illustrate what is unusual about the forms of English, not what is typical.

So I’m wondering – we can play around with things like these (and a noted psycholinguist and a renowned anglicist are in print with apparently independent and beautifully elaborate manipulations of prose rhythm) and presumably there is something to be learned from the exercise – but what is that something?

“Our understanding of the complex and ‘irregular’ structure of ordinary prose can be sharpened,” says Angus McIntosh, “by exposure to … simple but abnormally iterative structures…” But how? Read this aloud, with a Tum-ti-ti rhythm:

Note, in a triangle having an angle of ninety degrees that the square that is made with its base the hypotenuse equals in area the sum of the squares that are made on the sides which are forming the right angle.

Examples like this show that the rhythms of ordinary prose include the raw materials for artfully constructed ‘abnormal’ structures, but doesn’t that just creatively exaggerate or parody the characteristics of naturally occurring text, rather than also providing much basis for insight into these forms?

______________________
Abercrombie, D. (1965). Studies in Phonetics and Linguistics. Oxford: OUP
Breen, M. & Clifton, C. (in press). Stress matters: Effects of anticipated lexical stress on silent reading.
Cutler, A. (1994).  The perception of rhythm in language. Cognition, 50: 79-81
Davies, M. (1986). Literacy and Intonation. In Couture, Barbara (ed.) Functional Approaches to Writing: Research Perspectives. Norwood, N.J.: Ablex, 199–230.
McIntosh, A. (1990). Some elementary rhythmical exercises and experiments. Anglo-American Studies, X (1): 5-19.

response to a comment

Sketchy thoughts on a series of intriguing questions about language and theology left in this comment.

  • 1) Do linguists believe in the confounding of language?

This is really a question for sub-fields of linguistics which I know next to nothing about (I suppose language typology and origins of language). In textbooks it’s normal to see the Genesis account of the counfounding of language at Babel dismissed, if it’s mentioned at all, in a word or two as a myth which needn’t occupy any time or thought in contemporary linguistics. There may be some current understandings which might loosely reflect what you’d expect to be the case on the basis of the Genesis account, but the relevant fields are too far outside of my own areas of specialism for me to really comment from a very informed perspective.

The only time I’ve encountered a respectful treatment of Genesis in contemporary linguistics is in a theoretical volume on the syntax of Mohawk by a professor at Rugters – this too is outside my field, but I don’t get the impression that his views are at all mainstream.

There’s also a less technical book by Umberto Eco, The Search for the Perfect Language which discusses the Babel story in some detail, but more as a piece of intellectual history than as a viable contemporary explanation for observable aspects of language.

  • 2) Is multilingualism without asking God for that gift an attempt to reverse the confounding of languages and is it ever successful?

Multilingualism is the normal situation for the majority of people in the world – ie, the ability to speak more than one language isn’t necessarily something that most people have to make a conscious (+/- prayerful) decision to achieve. So multilingualism does in fact successfully mitigate the effects of language diversity, and that’s a good thing, not something to regret (in the same way that any means of making life easier in the post-Fall world is in general a Good Thing).

  • 3) Why and how does God keep human language separated into distinct groups?

On the how – the field of sociolinguistics basically exists to document and account for the ‘how’ of sameness and difference across and between speakers – influential approaches include the idea of social networks and communities of practice which provide ways of thinking about how language is used both within and across groups of people who interact with each other. I doubt that many sociolinguists would see their data as demonstrating how God works, obviously, but that’s the same problem as interpreting any dataset in the context of scientific self-imposed restrictions on using explanations which rely on the doctrine of God or God’s providence.

The why is more speculative, but the purpose of the original Babel to keep a restraint on human ambition presumably still matters.

  • 4) Is the constant changing of language a reaction of human language against the Word of God?

Here I didn’t share the view of language suggested in the original comment – I wouldn’t see language as a living creature, but rather more of a tool, an instrument, a means of communication among humans.

The constant changing of language is just one aspect of the human condition – societies are in constant flux, whether it’s clothes fashions or music styles or interior decoration or anything else. It’s not necessarily a morally significant rebellion against God. The Scriptures themselves freeze particular varieties of language at particular points in their ongoing change too – the Scriptures are now fixed and changeless, but they were written in earlier and later forms of their various languages. Human hearers do react against and flee away from God’s Word, but I’d hesitate to say that you can see that rebellion in things like vowel rounding or unrounding, or the choice of blue rather than green for your sitting room carpet.

  • 5) Where does free will come into it?

I’m not sure!

_________________
Previous language-and-theology type discussion –

segment sceptics

Selected, in chronological order

• Paul (1886), according to Abercrombie (1991): “In contrast to Pike’s view that a stretch of speech has a natural segmentation is the view that it is an indissoluble continuum, with no natural boundaries within it. This view is at least a hundred years old. It is clearly stated, for example, by Hermann Paul in his Principien der Sprachgeschichte in 1886. The word, he says, is ‘eine continuerliche reihe von unendlich vielen lauten,’ ‘a continuous series of infinitely numerous sounds,’ as HA Strong translates it in Principles of the History of Language. … As he puts it, ‘… A word is not a united compound of a definite number of sounds, and alphabetical symbols do no more than bring out certain characteristic points of this series in an imperfect way.’” (Abercrombie 1991: 29-30)

• Twaddell (1935) – the phoneme is “a fiction, defined for the purpose of describing conveniently the phonological relations among the elements of a language, its forms,” p53; “it is meaningless to speak of ‘the third phoneme … of the form sudden’, or to speak of ‘an occurrence of a phoneme’. What occurs is not a phoneme, for the phoneme is defined as the term of a recurrent differential relation. What occurs is a phonetic fraction or a differentiated articulatory complex correlated to a micro-phoneme. A phoneme, accordingly, does not occur; it ‘exists’ in the somewhat peculiar sense of existence that a brother, qua brother, ‘exists’ – as a term of a relation,” p49.

• Firth (1935) – “It is all rather like arranging a baptism before the baby is born. In the end we may have to say that a set of phonemes is a set of letters. If the forms of a language are unambiguously symbolised by a notation scheme of letters and other written signs, then the word ‘phoneme’ may be used to describe a constituent letter-unit of such a notation scheme” (Firth 1957 [1935]: 21)

• Firth (1948) – on using literacy-inspired transcriptions as a basis for phonological analysis (from the 1930s onwards, the writings of JR Firth show him distancing himself from over-reliance on transcriptions in alphabetic notation, for phonological analysis): “The linearity of our written language and the separate letters, words, and sentences into which our lines of print are divided still cause a good deal of confused thinking in due to the hypostatization of the symbols and their successive arrangement. The separateness of what some scholars call a phone or an allophone, and even the ‘separateness’ of the word, must be very carefully scrutinized” (Firth 1957 [1948]: 147).

• Ladefoged (1959) – quoted by Lüdtke (1969: 151): “The ultimate basis for the belief that speech is a sequence of discrete units is the existence of alphabetic writing. This system of analysing speech and reducing it to a convenient visual form has had a considerable influence on western thought about the nature of speech. But it is not the only possible, nor necessarily the most natural, form of segmentation.”

• Lyons (1962), commenting on Firth: “the practical advantages of phonemic description for typing and printing should not of course be allowed to influence the theory of phonological structure. It has been argued that phonemic theory has been built on the ‘hypostatisation’ of letters of the Roman alphabet: cf Firth, [‘Sounds and Prosodies,’ 1948], p134”

• Abercrombie (1965) is quoted by Lüdtke (1969: 151) as saying, “The phoneme … is not something which has a ‘real existence’.”

• Lüdtke (1969) – abstract, “the phoneme segment is not a natural item but a fictitious unit based on alphabetic writing”

• Householder (1971), summarised by Vachek (1989: 25): “[Householder] formulates the question whether, instead of postulating Chomskyan artificial underlying forms, it would not be more realistic to regard the graphical shapes of words as starting points from which the language user obtains their spoken, phonological shapes.”

• Linell (1982) – a whole book providing comprehensive, detailed coverage of the topic, Written Language Bias in Linguistics.

• Kelly and Local (1989) – the question of notation – aim to avoid doing phonetic transcription with the same symbols as are then used for doing phonological transcription/analysis.

• Abercrombie (1991) – “Segment, then, is the name of a fiction. It is a transient moment treated as if it was frozen in time, put together with other segments to form a ‘chain’ rather than a ‘stream’ of speech. Methodologically it is a very useful fiction. A segment, isolated from the flow of speech, can be taken out of its context, moved into other context, given a symbol to represent it, compared with segments from other languages, placed in systems of various sorts, singled out for special treatment in pronunciation teaching; and used in dialectology, speech therapy, the construction of orthographies. (The same is true, of course, of speech-sound and phone. They do not give rise, however, to the possibility of a word for the process, ‘segmentation.’)” (p30)

• Faber (1992) – “segmentation ability, rather than being a necessary precursor to the innovation of alphabetic writing, was a consequence of that innovation” (p112); “segmentation ability as a human skill may have been a direct result of (rather than an impetus to) the Greek development of alphabetic writing. Thus, the existence of alphabetic writing cannot be taken eo ipso as evidence for the cognitive naturalness of the segmentation that it reflects” (p127)

• Derwing (1992) – “the segment (or phoneme) may not be the natural, universal unit of speech segmentation after all, and that the orthographic norms of a given speech community may play a large role in fixing what the appropriate scope is for these discrete, repeated units into which the semi-continuous, infinitely varying physical speech wave is actually broken down.” p200

• Port & Leary (2005) in Language, 81

• Port (2006), ‘The graphical basis of phones and phonemes.’

• Ladefoged (2005) – “We should even consider whether consonants and vowels exist except as devices for writing down words … [they] are largely figments of our good scientific imaginations,” p186; “We also lose out in that our thinking about words and sounds is strongly influenced by writing. We imagine that the letters of the alphabet represent separate sounds instead of being just clever ways of artificially breaking up syllables,” p190; “the division of the syllable into vowels and consonants is not a natural one. Alphabets are scientific inventions, and not statements of real properties of words in our minds. … vowels and consonants are useful for describing the sounds of languages. But they may have no other existence,” p191; “The alphabet, which regards syllables as consisting of separate pieces such as vowels and consonants, … is a clever invention allowing us to write down words, rather than a discovery that words are composed of segment-size sounds,” p198.

• Silverman (2006) – p6, p11-13, and elsewhere.

• Lodge (2007): “There has been a long history of warnings against the notion of the phonological segment (eg Paul 1890, Kruszewski 1883, Baudoin de Courtenay 1927), as pointed out succinctly by Silverman (2006). Later the concept was criticised by Firthian prosodists (see Palmer 1970) and more recently reviewed by Bird & Klein (1990); the most recent exposé of the misguided acceptance of alphabetic segmentation in phonology can be found in Silverman (2006).”

 

scunnered

A certain textbook, whose title and author will remain unnamed until I’ve stopped teaching from it, has the following piece of wisdom to offer on the question of whether children use certain constructions more often depending on how often these constructions are produced by adult speakers of the language.*

“Frequency certainly may have effects. For example, Gathercole (1986) found [that] Scottish children use a present perfect construction more frequently than children acquiring English; presumably Scottish adults do so also.”

For one thing, there’s no “presumably” about it – the abstract of Gathercole’s article specifically states that “Scottish adults use the present perfect construction in their speech to children much more frequently than American adults do,” and how lame is that, not to even check the abstract of the only paper you’re going to discuss under the heading of frequency effects?

More irksomely: didn’t the author realise that Scottish children are actually acquiring English?

Black affronted.

_____________

* Sloppy wording, inconsistency in citations (some in-text, others as footnotes), obscure argumentation, unfair presentation of arguments/results which don’t fit the favoured dogma, and apparently an entire failure to find a proofreader, are some of the other unique selling points of this textbook. I hope I never have to use it again.